There’s Still Tomorrow portrays women's emancipation in macho post-war Italy.

Popular actress-turned-director Paola Cortellesi said, "This film has struck a raw nerve" in Italian society". Seen by 4.4 million viewers in the country since its release in Italy on October 26, more than Christopher Nolan's Oppenheimer and Greta Gerwig's Barbie. Playing an important part in helping the post-pandemic recovery of the Italian box office, which grew by 62% in 2023. This film is also credited as bringing older audiences back to Italian cinemas.